WHICH MOVIE SHOULD WE DISCUSS IN OUR THIRD LESBIAN MOVIE CLUB?

We are discussing The Kids Are All Right in our first Lesbian Movie Club and Imagine Me & You on our second. Now let’s choose our third movie!

VOTE FOR THE TWO MOVIES YOU’D LIKE FOR THE FIRST TWO LESBIAN MOVIE CLUBS

We will have many more movie selections for the coming months, but for the first two movie clubs, vote for the TWO movies you’d like for us all to watch and discuss.

LESBIAN SPACES MATTER

Tomorrow, our beloved website AfterEllen.com , is, for all intents and purposes, ceasing its operations.

The site that we have come to think of as an essential part of our lives, the site that has celebrated our community, served as our voice and champion in the media, provided us with a space to exchange ideas and learn about our culture and make friends. The site that was more than just a webpage, but a cultural statement, an affirmation of the validity of our stories, our desires, our needs. The site that was a place where queer women got together and supported one another.

That space, that very important space, is being effectively shut down by straight men. Bury your gays much?

So, let’s learn a bit more about the straight guy who manages AfterEllen and claims the reason for firing its editor-in-chief, Trish Bendix (and then punishing her for speaking out by refusing her severance. If he were a woman, I guess we’d be calling him a bitch, right?) was strictly a financial one , shall we?

According to his Linkedin profile and company website, Emrah Kovacoqlu is the founder, president and CEO of Total Beauty Media, a “new media beauty company” whose mission is to “inspire all women to live a beautiful life.” What the company does is build websites to provide women with fashion, beauty and “wellness” information (men have learned by now that they have a better chance at selling women crap they don’t need if they claim it’s not just to make them more attractive to men but because it’s better for their own “well being.”) The company says it reaches all kinds of women because “all women want to look and feel beautiful.”

And so, according to Kovacoglu, who is also the general manager of “TotallyHer Media” (I’m sure the irony is not lost on you) and obviously thinks of himself as the man who has finally figured out what women want, lesbians (a strange variety of “woman” he probably had never encountered before and who, as it turns out, might want different things!) are not a big enough draw for advertisers (I could take it as a compliment and deduce that they think our community is just far too smart to buy into their stupid marketing strategies, which try to tell women they’re not good enough/pretty enough/hygienic enough/smooth enough and so they have to buy their products. But the truth is, they are probably just too lazy to try to come up with a new strategy that doesn’t have to do with telling women that if they bought their product they’d be more appealing to men).

But there is more to this than just the bottom line. This is what happens when men run women’s spaces, and when straight men run queer women’s spaces.

When men are exclusively running “women’s health” panels and committees is how abortion and birth control are still a contentious issue rather than a fundamental right a woman has to her own body.

When male executives control almost all the top positions in the media, film and television industry, is how year after year, women are relegated to the roles of “girlfriend” (usually sexually objectified) or “mom” (usually culturally invisible), whose identities are defined strictly by their relation to the men in their lives.

When men make up 80% of our legislature is how we still have to fight (unsuccessfully, for the most part) to pass common sense legislation to combat domestic violence and end the gender pay gap.

Women’s spaces, lives and bodies have been ruled by men for far too long. And who is the most threatening woman? The one who doesn’t need men to validate her existence at all. The one who is not interested in men or needs them. The one who will not buy a product because it will help her get noticed by them, the one who will not dumb herself down so that they like her, the one who will not shut up about them killing her surrogates on television.

So I say, let’s make our own spaces. Let’s eliminate the male managers and the ignorant advertisers, and let’s do it by and for ourselves. To the fabulous women of AfterEllen.com , the women we have come to love as some of the most wonderful voices of our community, I call upon you to start a new website, subscription based. And to the audiences out there, the queer women who have loved AfterEllen for years, you who have decried that #LGBTfansdeservebetter , I call upon you to support one another and our community and BUY a subscription.. Make this into a statement so big that we prove to all of them out there who we are, what we want and what we are capable of.

Listen to our queer sister Jill Soloway and let’s Topple the fucking patriarchy!

afterellentopple

 

MOVIE REVIEW: “I.T.”

Opening this Friday, Sept. 23rd, across the U.S., is the new thriller “I.T.” The movie stars Pierce Brosnan as a successful, self-made man, living the latest version of the American Dream: the “Smart” version. In a world powered by technology and smart devices, Brosnan’s Mike Regan shows off his success and manly vigor by building a state-of-the-art “smart” home, which is completely controlled by computers.

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You can see it coming, right? Immediately after establishing what a swell guy Mike is and how beautiful his wife and daughter are, the movie wastes no time. Mike brings in Ed, his new company I.T. genie (a very effectively creepy James Frecheville. So effective, in fact, that you’d be surprised Mike let him in his house to begin with!), to upgrade his home and car systems.

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James Frecheville as Ed Porter in the thriller I.T., an RLJ Entertainment release. Photo credit: Jonathan Hession.

Mike’s daughter Kaitlyn (Stefanie Scott) and Ed hit it off, a fact that does not amuse Mike and his wife Rose (Anna Friel) at all, to say the least. Ed is much older, and did I mention, he’s totally creepy? Yeah. And we all know how well movie computer geeks take rejection, right?  Doesn’t Mike know that? Doesn’t he go to the movies? I guess not, because he seems genuinely surprised when, after he slams the door in Ed’s face and refers to him as a “nobody,” the aggrieved hacker decides to use his smart system to torture him and his family.

But Mike will not take it lying down. He has James Bond’s blood running through his veins. And that is what the movie is all about. This is not a whodunit movie. The trailer will tell you immediately who the bad guy is and what he does. This is a revenge movie, where a man (emphasis on “man”) must take justice into his own hands because, even though we have all this great technology running our lives, no one, least of all the authorities, seems to quite know how to handle its implications for our privacy, for our civil rights and for our safety. Mike has to resort to the tried and true “dumb” methods of heroism to protect himself, his company and his family.

It is clear that the movie presumes to take the old “good guy vs. bad guy” story and put a new technological, 21st century spin on it. And it does appeal to that very basic need in an entertaining way. But how new is it, really?

Mike’s wife and daughter, in accordance with genre tropes and traditions, are objects, almost property. They are there to provide the picture-perfect life Mike has, so that we know what’s at stake for him; they are there to be used against him by the man who covets what he has “earned,” or rather, was entitled to (which is another question the movie wants you to think about…. but not too much), in particular his beautiful daughter (seen in the picture through the good ole’ male gaze); and they are there to appear helpless, so he can rise to the occasion and show us he is going to be a Man and protect his family. (Not only do the women not help poor Mike fight this awful fight; they are actually angry with him for screwing up and demand that he “fix it.”)

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Stefanie Scott as Kaitlyn Regan in the thriller I.T., an RLJ Entertainment release. Photo credit: Jonathan Hession.

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Anna Friel as Rose Regan in the thriller I.T., an RLJ Entertainment release. Photo credit: Jonathan Hession

So I guess gender roles are not what’s new here.

As we see in the trailer, Ed uses the home camera system to take private footage of Kaitlyn and spread it among her schoolmates. Since we know young girls these days are practically expected to provide their boyfriends with sexual and/or nude pictures of themselves (pictures which will later be traded with other boys, or oftentimes spread out to humiliate the girl), is this the movie trying to tackle the awfully widespread “smart” problems of “sexting,” online bullying and child pornography? No. It just wants us to know that Daddy has let his daughter down, and now Daddy needs to “fix it.”

So, no. Nothing really new here besides that the weapon of assault is a computer (which, by now, is not really new, either).

“I.T.” will give you 95 minutes of the twisted kind of fun action, led by a charming leading man. Just don’t expect anything more than that.